Michael J. Bowler

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Why the Genre Term “Young Adult Literature” is Dangerous

September 15, 2015 By Michael J. Bowler 4 Comments

Young Adult

I hate the term “Young Adult Literature.” Teens and children are NOT young adults and they never will be young adults. Twelve and under are children or kids. Thirteen to eighteen are teens or adolescents. Eighteen years old is the beginning of young adulthood in America, and the adult brain isn’t fully formed until age twenty-one plus. That’s real science, not my opinion.

I point this out because it’s a major theme in my writing. America seems bound and determined to rob children of their childhood. Even on such supposedly safe channels as Nickelodeon and Disney, shows often depict kids as young as ten or eleven pursuing romantic relationships.

These storylines put ideas into the heads of kids at home that there must be something wrong with them if they don’t want a boyfriend or girlfriend in elementary or middle school. Kids that age should NOT be pursuing such complicated and stressful relationships. They should be building friendships that are strong and binding. Developmentally, they are figuring out who they are as individuals and don’t need the pressures of a “relationship” they can’t fully understand and don’t actually want. I talked to an eleven-year-old recently who said he wanted a girlfriend. When I asked why, he didn’t have an answer. I know the answer – it’s because the media keeps pushing that idea and kids always want to “fit in” with whatever is the current trend. Why the media pushes romantic, and by extension sexual, relationships on children is a disturbing question to ponder. No good can come of such poisoning of children’s minds and souls in this fashion, and yet we as a society allow it to happen. That’s scary.

There’s another, even more insidious aspect to labeling kids “young adults.” Children today are exposed to more and more adult behaviors, usually bad ones, and when they copy those behaviors they are expelled from school or arrested. If the behaviors are really serious and somebody gets hurt, these children are put into adult court and sentenced to prison. I know a large number of them personally. I’ve spent time with seven and eight year olds in juvenile hall. Children reflect the society in which they grow up, and America is teaching them how to be self-absorbed consumers with little regard for others. Maybe that’s the plan – keep them self-absorbed with “me” centered behaviors and they won’t challenge the status quo. If kids, i.e. the next generation, don’t challenge the status quo, corruption and greed win every time.

Young children can be tried as adults in many states and the media always labels these kids “young men” or “young women.” Why? Because readers or viewers won’t feel sorry for them and think of them as the damaged children they actually are. Even when children do something positive, they are still referred to with those factually and morally misleading terms “young men” and “young women.” It’s clearly an agenda designed to benefit adults. There’s no other explanation. If society decides children are “little adults,” then anything goes with those kids, right? They can be put into prison, used sexually, or forced to work so parents or guardians can make money off of them.

My Children of the Knight series explores these themes in depth. My young characters rebel against societal brainwashing and use social media to galvanize their peers across the country to do the same. A revolution ensues that continues in the latest installment, Warrior Kids: A Tale of New Camelot. Children and teens are the only ones who can make society better because they will run it some day. Brainwashing them to obsess over themselves – as though kids don’t do this enough already – is the easiest way to ensure that those in power across the board won’t be challenged. Sadly, the tactic seems to be working. It’s my hope that kids who read my books will come to the same awareness as my characters about what is really going on and feel empowered to rise up and stop it.

Vigilant parents keep their kids away from media, and screen everything, within reason, that kids watch or read. And allow their children to grow developmentally along natural milestones. Rushing children to “behave” like adults is a net negative. Far too many adults are poor role models. These adults don’t want to make the world better for kids because they personally benefit from how it is now. I don’t want my children copying the behaviors of most “famous” people, or even characters in so much of what passes for children’s entertainment these days, because then my kids will become part of the problem, not the solution.

So yes, I decry the term “Young Adult” applied to children and teen lit. It’s just an excuse to distract kids by putting more adult material into their books, mostly sexual material, and get away with it because the books are for “young adults.” No, they’re not. These books are for kids who are still developing and are not young adults and never will be young adults until they actually grow into young adults. I write books for teens and tweens that can be enjoyed by adults of all ages. Now I just have to convince the rest of the industry to call teen lit what it is – teen lit. If more parents complained on a grass roots level and emailed publishers and Amazon to replace that “Young Adult” moniker, we could seriously challenge the status quo. Or we could just succumb to the brainwashing and do nothing. I prefer to challenge. And then go after Disney and Nickelodeon.

Anyone with me?

WarriorKids-Facebook V2

Michael J. Bowler

Michael J. Bowler Amazon Page

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Filed Under: Raising Healthy Kids Tagged With: "little adults", activism, adultification, agenda, books, brainwashing, brainwashing kids, children, consumers, current-events, kids, labeling, me-centered behaviors, media, politics, punishment, relationships, self-absorbed, sexualization, society, status quo, teen brain, teens, writing, YA, Young Adult

Horror and Adolescence

July 28, 2015 By Michael J. Bowler Leave a Comment

SPINNER

Horror and adolescence go hand in hand for many reasons, which explains why teens tend to thrive on horror films and books more than any other demographic.

Adolescence is a time of great change for kids – a transitional period between childhood and adulthood. No, teens are not young adults until they reach the age of eighteen (despite the media obsessively referring to 11 year olds as “young men” or “young women”), but their brains and bodies are changing at such a rapid pace that these years teeter between exhilarating and terrifying on a daily basis. The adolescent brain has one foot firmly planted on the accelerator while the other foot struggles to find the brake. Teens seek out thrilling experiences that pump the adrenalin and pound the heart. Hence the love of amusement park thrill rides, fast driving, and the heart-pounding experience of a good horror film or book.

But the “thrill gene,” as it’s been loosely dubbed, in teens isn’t the only correlation to horror, or the only reason teens love the genre. Fear is a HUGE part of adolescence, and teens stress over how best to manage that fear. What fears do teens face on a daily basis? Depends on where they live and go to school. For many, the fear is physical. Will they make it through the school day without getting bullied? Will they make it home without getting jumped? Will they fail yet another class and have to take it over? Will dad be drunk again tonight? Will mom tell them they’re losers? Will there be any food for dinner or will they have to go hungry until school the following day? These are but a few of the real fears no kid should have to live with, but far too many in America do.

But, above and beyond these issues, every adolescent is afraid to be different, to stand out from their peers, to not fit in. This is a palpable fear that guides almost every decision teenagers make. While some parents may encourage kids to embrace their differentness, most want their kids to be “mini-me’s” and conform to the “accepted societal norms” so they (the parents) don’t look bad in the eyes of other adults for having “that weird kid.” Such parents are embarrassed to have a disabled child, or one who isn’t good at sports, or who doesn’t get all A’s in school or who’s LGBT. By the time the adolescent brain kicks in, the wiring is geared toward socialization and social acceptance, so teens squelch their innate differentness in order to fit in. They live in fear every day that the mask they wear will be knocked off, the real “them” will shine through, and they will be ostracized as a result. So they dress the same, talk the same and act the same as their peers out of fear that their real selves will be rejected.

How does this fear relate to horror? Look at the huge number of horror films that feature a kid who’s odd or different or possessed or threatened by nightmares that expose his secrets to the world. Look at how many films or books that feature a damaged character that hides behind a literal mask. Horror often features the outsider kid, the one nobody likes because he or she is “different” as the hero, the one who saves the day when his or her “conforming” peers are getting knocked off one by one. The plethora of possession movies speak to teen fears of having someone inside themselves, i.e. the real human being, revealing itself to the world and not being accepted. For LGBT youth, this fear is profound because they know how society consistently rejects kids like them for being born “different.” I supervised the GSA at my high school and, sadly, most of those kids were more afraid of their parents than their peers. Many kids wanted to attend meetings or functions, they’d tell me in private, but were afraid other kids would turn against them or, worse yet, inform their parents.

Special Education (SPED) kids harbor a similar fear. As a teacher to disabled students, I know from experience that their greatest fear is for peers to find out they’re SPED. I know the fear – I’ve lived with hearing impairment my whole life and there was not a single kid like me at any grade level up through and including graduate school. I never told peers that I couldn’t hear clearly. I just laughed if other kids did, even though I didn’t hear the punch line, or I stayed silent and nodded if I didn’t clearly understand something. I shied away from group sports or dances or activities that were loud and had many kids talking at once because I was afraid I’d have to admit my weakness and then get mocked for it. There was never a day when I wasn’t reminded that I was different. So it was no surprise that even as a child I loved horror films and books. For me, seeing people manage fears that were greater than mine helped me deal with my own. These stories also raced my heart and fueled my imagination and inspired me to be a writer when I grew up. Horror is a thrill ride teens hope they never have to live through in real life, but they thrive on the adrenaline rush of being chased by the guy with the chainsaw, or having an exorcism performed on them, or having a guy with blades for fingers reach out of their dreams to try and kill them. Their hearts pound, blood rushes, and then they get to walk away unharmed.

For these very reasons, the best horror stories feature teen protagonists. Teens are always more willing to take risks adults wouldn’t – like opening that cellar door to see what’s down below, or sneaking into a graveyard to dig up graves or playing with that Ouija board that they know from countless films will lead to disaster. Teens are risk-takers, and horror stories are about managing fear while taking extreme risks, the kind that can often be deadly.

Spinner features a cast of teen characters with disabilities who have to solve a centuries-old mystery, as well as a string of murders quite possibly committed by one of them, all without the ability to read or write or, in Alex’s case, walk. Like gay kids and bullied kids, these characters face fear every day just by going to school where they know they will be mocked and ridiculed for being “different.” But being different doesn’t stop them from bonding together and risking their lives for each other. At the heart of any good horror story is friendship between characters who have to make life and death choices that the viewing audience, or the reader, hopes never to have to make in the real world. Horror teaches kids valuable lessons without being dogmatic or preachy. Some lessons are complex, like how the smallest choices can have the biggest consequences, while others are minor – like don’t go into a dark basement alone when you hear sounds down there.

Being a teen today shouldn’t be the equivalent of a horror film, but it sadly often is; reading a novel or watching a film can be cathartic and help kids survive by reminding them that the different one, the “odd kid out,” the bullied kid, the kid who thinks outside the box will be the last man standing. Within these fictional forays into terror, kids see how their true selves, the ones they hide from the world, are the ones that ultimately survive and save others along the way. In teen horror, “different” is the new “normal.”

SPINNER has been given the SEAL of APPROVAL from Literary Classics. It also won Honorable Mention in the Young Adult category from the San Francisco Book Awards and it won the Young Adult category in the Hollywood Book Awards. Kirkus Reviews says: “It will warm your heart and chill your spine.” Buy Link Here: Spinner Amazon Link

Spinner front cover with CLC Sticker v3

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Filed Under: Raising Healthy Kids Tagged With: adolescence, books, catharsis, differentness, disabilities, fear, horror, kids, LGBT, movies, spec, teens

Does Our Modern Media Onslaught Teach Kids Bad Behaviors?

July 16, 2013 By Michael J. Bowler Leave a Comment

In Children of the Knight, King Arthur, a man from medieval Britain transplanted to 21st Century Los Angeles, is appalled and fascinated by the television programs and music of modern America, and even more astonished to learn that most of it is aimed at children and teens.

He sees kids on TV using drugs in such a way that makes the activity look like a must-do for every viewer. He observes teens “hooking up” for causal sex, and others engaging in violent, often abusive behaviors. When he asks Lance about these “entertainments” and is told they’re mostly created for kids his age to watch, Arthur posits a question: “And if you or others your age engage in these behaviors, are you punished by thine elders or those in power?”

Lance suddenly realizes, as do Esteban and the other street kids later on, that all the anti-social behaviors modeled for them in music, movies and TV shows are exactly the same behaviors they get punished for on a regular basis, even though most of them grew up watching these kinds of shows and witnessing their older siblings (or even a parent) engaging in the same! The hypocrisy of a society that in every way possible teaches its young to be anti-social and self-absorbed and then punishes those youngsters for learning the lessons too well is staggering.

Hollywood and the music industry push the envelope further and further every year regardless of the damage they are doing to the children of this country. We’re a capitalist nation and I have no problem with companies making honest money. However, it would be really cool if these companies would exercise some restraint in the material they release, but restraint is sort of like self-discipline these days––a dirty word. The purveyors of this kind of material will always say it’s the parents’ job to shelter their kids from adult-oriented material, but that has become increasingly more difficult with newer and more efficient technology that make shielding kids virtually impossible, especially when the “adult-oriented” material is marketed straight at them!

Take the “F” word, for example. For kids today, that former obscenity is a noun, verb, or adjective depending upon how it’s used, and has become part and partial of daily conversation, among adults, too. This wasn’t a conscious decision on the part of society to expand the use of that word into every aspect of our lives because the country determined it would benefit everyone to do so. No, its use was incrementally increased over the years by Hollywood and the music industry until adults became so inured to hearing the word they don’t even blink anymore when their kids say it as a matter of course. Is this a good development for society and civilized behavior? Arthur doesn’t think so and he teaches his young knights civility and chivalry, two areas sorely lacking in America today. He recognizes that changing the overall behavior of these damaged children must begin with the small things, like use of language and how they address one another. Even calling each other “fool” is disdained by the king.

Can he successfully civilize these children that society has purposely made uncivilized and turn their collective might into something positive? Read Children of the Knight to find out.

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Filed Under: Raising Healthy Kids Tagged With: behavior, hypocrisy, kids, King Arthur, language, media, movies, music, obscenity, punishment, teens

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